Adam Audio H200 Review: Producer-Oriented Closed-Back Headphones for DJs

Learn why the Adam Audio H200 closed-back headphones deliver immersive bass reflex, studio-grade clarity, and replaceable cables for DJs and producers.

Overview

Adam Audio’s debut headphone, the H200, merges studio-monitor pedigree with DJ robustness. These closed-back cans boast a proprietary bass-reflex port, memory foam earpads, and a unique removable dual-end cable system—ideal for on-pad monitoring and live use.

Design & Comfort

Plastic headband with generous padding and Adam logo
Memory foam earcups on swivel mounts (no lateral pivot)
Dual-end cable jacks (left/right)
Detachable 3 m straight cable; coiled cable optional (sold separately)
While the firm clamp ensures isolation, extended wear may feel snug, especially in warm club settings.

Sound Signature

Drivers measure 40 mm with a built-in port creating palpable low-frequency “thump.” Mids remain crisp, highs detailed, and ported design imparts a moving-air sensation uncommon in closed-backs. At 32 Ω impedance, they pair effortlessly with laptops, controllers, and smartphones.

Pros & Cons

Pros

Bass-reflex port for deep low end
High sensitivity ensures ample volume from mobile sources
Dual cable jacks for setup flexibility
Protective padded carry bag

Cons

3 m straight cable can tangle; coiled option not included
Clamp force may fatigue during marathon sessions
No onboard DSP or ANC

Suitability

As studio headphones, the H200s excel at bass-heavy mixing and DJing in loud environments. For producers seeking portable reference, their ported low end and detachable cables provide versatility. DJs requiring one-ear monitoring can adapt, though they lack the one-cup fold-back of traditional DJ cans.

Conclusion

The Adam Audio H200 blend studio fidelity with DJ practicality, delivering immersive bass reflex and robust build. While cable options and clamp force could improve, their unique port design and clarity make them a standout choice for hybrid DJ-producer workflows.